Lithography from Leningrad, Estorick Collection: ‘A far cry from the drab stereotype of the Soviet Union’ by Sarah Birch November 22, 2019November 22, 2019 A rare glimpse at ‘quirky and wholly modern’ prints produced by the Leningrad Experimental Graphics Laboratory in the 1950s
Paolo Scheggi in Depth, Estorick Collection: ‘Well-chosen retrospective for a versatile artist’ by Sarah Birch August 23, 2019August 23, 2019
Sweet Sorrow, David Mitchell, book review: ‘Contemplative treatment of life’s essential questions’ by Sarah Birch August 16, 2019
The Time Of Our Lies, Park Theatre: ‘Compelling – if you’re of the right mindset’ by Sarah Birch August 6, 2019
Shipwreck, Almeida Theatre, review: ‘Full of a fantasmagoric energy’ by Sarah Birch February 21, 2019February 21, 2019
Kismet, book review: ‘haunted by doubts about the authenticity of her life’ by Sarah Birch June 21, 2018
Machinal, Almeida – review: an expressionist masterpiece on marital life and motherhood by Sarah Birch June 12, 2018June 12, 2018
