Posts Tagged ‘stage’
BalletBoyz – Deluxe, Sadler’s Wells, stage review: ‘The two-year wait was absolutely worth it’
The company ‘understands even the darkest nooks of modern masculinity’
Read MoreElizabeth I: Virgin on the Ridiculous, Living Spit, King’s Head Theatre, stage review: ‘A rip-roaring night out’
This Horrible Histories-style depiction of the monarch is ‘hilarious’
Read MoreThe Chairs, Almeida Theatre, stage review: ‘An intellectual pickling’
This reimagining of Eugene Ionesco’s play is ‘delightful and disquieting in equal measure’
Read MoreCuckoo, Sadler’s Wells, stage review: ‘Wrapped in silk but no clear centre’
The groundbreaking Candoco Dance Company’s double bill ‘fails to dazzle’
Read MoreRambert2 – Home / Killer Pig, Sadler’s Wells, stage review: ‘Outstanding intensity and physical skill’
Eleven fledgling dancers show off their talent in unbalanced show
Read MoreThe Dan Daw Show, Sadler’s Wells, stage review: ‘Eye-opening glimpse in to the pull of the fetish community’
Dan Daw’s eponymous piece is ‘theatre where it should be – pushing boundaries, testing limits, making change’
Read MoreMischief and Mayhem, Little Angel Theatre, stage review: ‘Rambunctious romp through the dangers of overconsumption’
‘What if Shakespeare had an opinion on climate change?’ asks Dirty Feet Theatre Company in this witty short play
Read MoreOnce Upon A Time In Nazi Occupied Tunisia, Almeida Theatre, stage review: ‘Burning with political astuteness’
Josh Azouz’s outstanding writing ‘pokes fun at the monstrous contradictions of fascism’
Read MoreLocal puppet theatre ‘disheartened’ by Covid delays but ploughs on with summer line-up
Little Angel Theatre is celebrating its 60th anniversary this year
Read MoreThe Sorcerer’s Apprentice, Southwark Playhouse, stage review: ‘A pleasant if not particularly original experience’
Despite leaning on a few tired tropes, this reimagining of a popular German fairytale offers ‘old theatre magic aplenty’
Read MoreSouthern Belles, King’s Head Theatre: ‘A raw, more personal side to Tennessee Williams’
This combination of two lesser-known plays by the celebrated writer, about queer life in the 40s and 50s, ‘highlights his genius’
Read MoreThe Hunt, Almeida Theatre: ‘This show has it all’
This stage adaptation of the iconic Danish film is ‘slick, clever and near faultless’
Read MoreMachinal, Almeida – review: an expressionist masterpiece on marital life and motherhood
Natalie Abrahami’s production of this 1928 play has a current resonance about the social confinement many women face
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